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Life and Death in Paradise + Milan Live Acoustic 2018

by mike cooper

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  • Record/Vinyl + Digital Album

    + Deluxe LP+CD edition features a six-panel insert with additional artwork and an essay by the artist about both records
    + This first-ever reissue includes a bonus CD of Milan Live Acoustic 2018, a previously unreleased solo set that represents Cooper’s return, after forty-four years pursuing free improvisation and electronics, to a new, deconstructed approach to singing, steel guitar, and songcraft.

    Includes unlimited streaming of Life and Death in Paradise + Milan Live Acoustic 2018 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $27 USD or more 

     

  • Record/Vinyl + Digital Album

    + Same LP+CD package as above, but orders ship from Spain.

    Includes unlimited streaming of Life and Death in Paradise + Milan Live Acoustic 2018 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      €20 EUR or more 

     

  • Compact Disc (CD) + Digital Album

    + Deluxe 2xCD gatefold edition features an eight-panel insert with additional artwork and an essay by the artist about both records
    + This first-ever reissue includes a bonus CD of Milan Live Acoustic 2018, a previously unreleased solo set that represents Cooper’s return, after forty-four years pursuing free improvisation and electronics, to a new, deconstructed approach to singing, steel guitar, and songcraft

    Includes unlimited streaming of Life and Death in Paradise + Milan Live Acoustic 2018 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $17 USD or more 

     

  • Compact Disc (CD) + Digital Album

    + Same 2xCD package as above, but shipping from Spain.

    Includes unlimited streaming of Life and Death in Paradise + Milan Live Acoustic 2018 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      €16 EUR or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $11 USD  or more

     

1.
Wireless words and picture screens prompted me to say this seems like this could be the end or the beginning and something moving through the sky illuminates the point that I must choose now to stay or to be going. It’s Rocket Summer, and the star sailors sing. Rocket Summer, the changing hymn. Rocket Summer. Reality, or so it seems presents me familiar scenes invented as a child as just supposing. Comic books of Earth and Mars midnight eyes turned towards the stars now gazing at TV, cos it’s the real thing. It’s Rocket Summer in my life and times. Rocket Summer. The sounds, the signs, of Rocket Summer. It’s Rocket Summer at my childhood’s end. Rocket Summer, and I start again. It’s Rocket Summer.
2.
Teenage preachers in stars and striped sneakers with Quaalude as prelude to pleasure. Harley dream glider, commuter polluters womb with a view through windscreen wipers. In stacks and black sequins, his blue jeans bleaching this lyrical leader’s another life support bleeder. His rock and roll Muzak is hamburger feedback from Black Panther princes/druggers and muggers and all kinds of other Pavement paraders/life and death traders. Subway seduction as someone malfunctions. Never suspecting the cause and effecting of what you’re erecting/well I just stepped into Just another black night crash. Lunchtime brigaders pulling on waders for movie blue previews in leather. The Cockaigne cruisers/those local losers. Bikers and dikers and eyeliner likers. The paralyzing/advertising the imitation/liberation the simulation/stimulation give me humiliation/saturation. My confidence busted, my judgement mistrusted I held on with one hand still waving. Never suspecting the cause and effecting of what you’re erecting/well I just stepped into just another black night crash.
3.
O.M.M. Coda 07:31
Slowly but surely making my way Back to the one that I used to be Started taking chances on so many new romances Started going places that I should not be Finding my way with someone who knows Most of the places that I’m bound to roam Making quite certain making quite sure That each day is much better than any one before And it’s a long, long way home that I’ve chosen to roam It’s a long, long, long way to be going.
4.
Upon the hill/the air is still but somebody/somebody is watching Outside somebody passes/glances then goes off laughing. There’s a sound of trucks rolling past. From down here on rock and roll hi way. Upon the wall/a sound we all know it’s something passing. But in my ear/it brings so much fear because I’m breathing/in its slipstream. And there’s a sound of burning coming up from down here on rock and roll hi way. Back here inside/this suicide of mine/ it’s nearly over. It could be saved, but who’s that brave and anyhow/who really needs it. There’s a sound of singing coming up from down here on rock and roll hi way. From a distance/my resistance it just appears so very useless. She knows that I just can’t understand and that’s the hand she’ll use/to win me over. Now there’s a sound of music coming up from down here on rock and roll hi way. Down on the floor/the battle roars but nobody/no nobody/is even watching. As they drag away the half-decayed remains of last year’s victim. Now there’s a sound of nothing coming up from down here on rock and roll hi way.
5.
LIFE AND DEATH IN PARADISE (REPRISE) Drinking wine down here beneath the trees singing songs down here down upon my knees Hearing things that just set my poor head reeling. Glance up and I can see the sky through the veil as it shades my eyes from the sun as it is rising on this morning. Hearing noises coming in from the hill just like a locust and its high whining trill Wishing now that I was not ever leaving So that I could glance up and I could see the sky Through the veil as it shades my eyes from the sun as it is rising on this morning. Watching boats sailing out on the sea that could bring you back close to me Watching now as all the smoke is slowly rising. BEADS ON A STRING Storm clouds are rolling in from Morocco thunder crashing and lightning flashing. Electric black night summer skylight lights a smile on Spanish Rose. In a doorway mandolin play Montevideo lady singing Touch of southern starlight make everything alright warm sunshine and sweet orange wine. And the radio man play late night rock and roll till daylight Rock and roll on the radio until daylight come.
6.
It was denim streets that got me beat but my guitar it still sang like silver. With my steel third finger I just could not linger on the brink just like some half-believer. Well I was brought here by coincidence but now I find that these incidents have hurt me more than I could freely say before. So I hide my eyes behind dark glasses now I find the lights hurt my sight and I don’t want to tell night from day. I could steal you a song, but I sang blues so long that soon it was reds that were needed. Then a voice in my ear shouted get outta here and I knew it was a voice to be heeded. chorus. By the hour they pay, and then they pray you don’t pass that way just for a bit. They grin when you’re near but if you get where you can hear you’re sure to find you’re the next one to get hit. chorus
7.
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9.
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11.
Peach Trees 07:41
12.
13.

about

Artist page: paradiseofbachelors.com/mike-cooper

ALBUM ABSTRACT

Mike Cooper wrote his final songwriter record, a suite of gloaming glam-rock anthems performed with a spiritual jazz trio, while living on the Costa Tropical of Granada, Spain, an era when he was considering retiring from music altogether. A chance encounter and a last-ditch record deal convinced him to make one last album, which he recorded in 1974 at Pathway Studios in London, with “The Greatest Rock and Roll Band in the World,” featuring the inventive South African jazz rhythm section of Louis Moholo and Harry Miller with UK saxophonist Mike Osborne. 

This first-ever reissue includes a bonus CD of Milan Live Acoustic 2018, a previously unreleased solo set that represents Cooper’s return, after forty-four years pursuing free improvisation and electronics, to a new, deconstructed approach to singing, steel guitar, and songcraft. 

The deluxe LP+CD edition also features a six-panel insert with additional artwork and an essay by the artist about both records. The deluxe 2xCD gatefold edition features an eight-panel version of the same insert.

“Beautiful, fucked-up mid-70s rock that’s really not like anything else. A mélange of mersh/avant/blues/folk/rock/jazz shiteroo, Life and Death in Paradise is a most splendid anomaly with hints of everyone from Gram Parsons to Michael Hurley to the Welfare State … Allow it into your head, and it will blossom like the strange mushroom it is.” – Byron Coley

ALBUM NARRATIVE

In the wake of his magisterial triptych of early 1970s avant-folk-rock records—Trout Steel (1970), Places I Know (1971), and The Machine Gun Co. (1972) (all previously reissued by Paradise of Bachelors)—the British songwriter, guitarist, and fledgling improviser Mike Cooper retreated to the Costa Tropical of Granada, Spain. With no prospects for touring or recording again, his fiery band the Machine Gun Co. had disintegrated. Cooper sets the scene in his liner notes of the first-ever reissue of his unjustly forgotten next album Life and Death in Paradise (1974): 

"No one came running with offers of fame and riches, and we fell apart, and I left the country and headed for the beach, disillusioned and a bit disorientated musically. I went to Almuñécar in Andalusia, a place I had been going since 1969, because a painter friend from Reading, Rowland Fade—who made the collage in the gatefold of my earlier album Trout Steel—had moved there in 1968.

"It was not exactly a paradise. Palm trees were not native there, so they had been imported by the mayor, purchased from his brother who, legend has it, sourced them from Cuba."

It was in this synthetic coastal “paradise,” unmoored and adrift, considering retiring from music altogether, that he began tentatively writing new songs.

"Time passed slowly in Almuñécar, and I made leather bags, painted the insides of empty swimming pools, attempted to sell some of my artworks at a market in Málaga, and generally hung out drinking and smoking (cigarettes) at the beachside bars."

A chance encounter with producer Tony Hall, who offered Cooper a last-ditch record deal on Hall’s nascent Fresh Air label, convinced him to make one last album—with the stipulation that he could assemble what he called “The Greatest Rock and Roll Band in the World.”

"I told Tony that I would do it if I could hire some of my South African jazz musician friends that I had used on my Pye/Dawn albums and some friends from Reading that I still knew and admired. Tony loved jazz and was more than happy for me to use whomever I wanted. I called up Harry Miller, Louis Moholo, and Mike Osborne, who were in fact a trio at the time … and several local Reading heroes, including the singer-songwriter Terry Clarke." 

The result, recorded live with minimal overdubbing at Pathway Studios in London, was Life and Death in Paradise, an utterly singular suite of gloaming glam-rock anthems performed with a spiritual jazz trio comprising the inventive South African jazz rhythm section of Moholo and Miller with UK saxophonist Osborne. Unlike anything else in Cooper’s extensive catalog, the record’s six interwoven songs, world-weary metanarratives about music and the artist’s sunstricken exile in Andalusia, vibrate with heat shimmer and polyphonic pastiche, prefiguring his later tropical travelogues. 

"That title of the album became so loaded for me as the years passed and also reflected (still does) my attitude toward certain aspects of the music business. Despite going back to record, I was still not convinced about many things, and a lot of the lyrics on the record express my doubts and anger about it."

Fresh Air fizzled, and Life and Death became Cooper’s final record as a songwriter, having pushed the form as far as he could. Drifting north from Spain back to the UK, he fell into the scene of the London Musicians Collective (LMC)—including Paul Burwell, David Toop, and saxophonist Lol Coxhill, Cooper’s bandmate in the Recedents—and fully embraced free improvisation. 

"I decided that I was no longer interested in the direct, personal experience, narrative type of song or the form in which most songs were framed and presented … I was musically more interested in improvising and not having to play the same thing at every performance." 

He was still, however, interested in singing and lyrics, so, influenced by Tom Phillips, William Burroughs, and Brion Gysin, he began experimenting with text collage and cut-up techniques, arriving at his own hybrid compositional strategy for improvisatory songs. 

The previously unreleased solo set Milan Live Acoustic 2018 represents Cooper’s return, after more than four decades pursuing free improvisation and electronics, to a new, deconstructed approach to singing, lap steel guitar, and songcraft. Presented here together with Life and Death in Paradise, the two records provide fascinating bookends to Mike Cooper’s long, mercurial, and pioneering practice as a songmaker. 

"In my early years as an acoustic blues player, there was no amplification, even for voice, in most folk clubs where I was performing. Milan Live Acoustic 2018 is in a way a return to my roots as a solo acoustic singer/guitarist, as last fully documented on Life and Death in Paradise forty-four years earlier. It’s just me: my voice, guitar, and some small electronic devices played with no amplification. The only preparation was the lyrics, which can change from performance to performance as well. Everything else is improvisation. What else is there?"

KEY POINTS

+ The first-ever reissue of Life and Death in Paradise, Mike Cooper’s final songwriter record, and the first release of Milan Live Acoustic 2018 
+ Deluxe LP+CD edition features 140g black virgin vinyl; matte jacket with spot gloss details; and a six-panel foldout insert with additional artwork and an essay by the artist about both records
+ Deluxe 2xCD edition features a matte gatefold jacket with spot gloss details, and an eight-panel version of the same insert
+ RIYL: Derek Bailey, David Bowie, Tim Buckley, Sandy Bull, John Cale, Michael Chapman, Lol Coxhill, Johnny Dyani, Davey Graham, Steve Gunn, Van Morrison, Louis Moholo, Mike Osborne, Lou Reed, Sonny Sharrock, Television, Welfare State 
+ Artist page/bio/tour dates/links/back catalog: paradiseofbachelors.com/mike-cooper 

credits

released July 14, 2023

REISSUE CREDITS

Produced by Brendan Greaves for Paradise of Bachelors

Audio remastering and lacquer cutting by Josh Bonati, Bonati Mastering

Original jacket rephotographed and restored by Lindsay Metivier
Transcription by Greta Travaglia

Reissue design, image restoration, layout, and typography by D. Norsen

Insert painting by Rowland Fade, Sunday Morning Watercolor for Mike and Maria, 2007, used by permission and © the Estate of Rowland Fade

Essay © and courtesy of Mike Cooper

All music and lyrics by Mike Cooper, © Mike Cooper 1974 and 2018, except “Lord Franklin,” which is traditional

Life and Death in Paradise was originally released on Fresh Air in 1974 as 6370 500
Produced by Mike Cooper for Tony Hall Productions

This is the first edition of Milan Live Acoustic 2018, which has not previously been released.

Life and Death in Paradise (PoB-070) reissue edition and Milan Live Acoustic 2018 (PoB-071) first edition both ℗ and © 2023 Paradise of Bachelors | All rights reserved
PO Box 1402, Carrboro, NC, USA 27510 | paradiseofbachelors.com

Thanks to Mike, as always, for his patience, vision, and trust.

ORIGINAL LIFE AND DEATH IN PARADISE CREDITS AND LYRICS

Mike Cooper: Vocals/Guitar/Slide Guitar (°)
Terry Clarke: Backing Vocals/Guitar
Mike Osborne: Alto Saxophone
Harry Miller: Acoustic Bass
Louis Moholo: Drums/Bells/Percussion
Colin Boyd: Bass Guitar (+)
Ian Foster: Drums (*)
Alan Gowen: Piano (‡)
Terry Evenett: Modulator (†)
Recorded at Mike Finesilver’s Pathways Studios
Mixed at Pye Studios
Remix engineer: Terry Evenett
Produced by Mike Cooper for Tony Hall Productions
Production assistance: Tony Hall and Terry Evenett
Hair by Tim of Reading
Special thanks to the Greatest Rock and Roll Band in the World (Mike, Harry, and Louis) and to Tony Hall for confidence.
All songs composed by Mike Cooper
Graphics by Deborah Miles
Album designed & photographed by Keef

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mike cooper Roma, Italy

Mike Cooper has traced a path completely his own for the past 60 years as an international musical explorer, lap steel guitarist, singer, improviser and composer, performing and recording, solo and in a number of inspired groupings and a variety of genres. stretching the possibilities of the guitar with an eclectic mix of the many styles he has practiced over the years. ... more

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